Press Reviews

• Ruth Ozeki

  Absolutely brilliant - tragic, funny, eccentric and so perfectly suited to this particularly weird time. Claire Kohda takes the vampire trope and makes it her own in a way that feels fresh and original. Serious issues of race, disability, misogyny, body image, sexual abuse are handled with subtlety, insight, and a lightness of touch. The spell this novel casts is so complete I feel utterly, and happily, bitten

• Lisa Harding, author of Bright Burning Things

  Unsettling, sensual, subversive, Woman, Eating turns the vampire trope on its head with its startlingly original female protagonist, caught between two worlds. It is a profound meditation on alienation and appetite, and what it means to be a young woman who experiences life at an acute level of intensity and awareness. Claire Kohda's prose is biting, yet lush and gorgeous. I was uncomfortably smitten

• Glamour UK

  Blistering . . . Tells us a lot about the ways we're all searching for belonging

• BBC

  A modern day vampire thriller that also covers race, social isolation, unrequited love and parental loyalty . . . Lydia battles not only her vampire hunger but also to find her place in the world

• Glamour US

  A vampire book that will scrub any trace of Twilight from your mind - Claire Kohda's debut follows a young vampire dealing with all kinds of hunger: for acceptance, for artistic success, and for sushi

• Book Riot

  The way food wends its way throughout this piece is such a fascinating way to explore hunger, various appetites, and even identity. I regret to inform you that this one's not out until the spring, but I believe it's well worth the preorder

• Kirkus Reviews

  Kohda makes clever use of her premise to explore weighty topics-including cultural alienation, disordered eating, emotional abuse, sexual assault, the stressors of navigating adulthood, and caring for an aging parent-with sensitivity. Lydia's achingly vulnerable first-person narration gains momentum as she achieves self-acceptance-and, ultimately, self-empowerment. Subversive and gratifying

• Library Journal (starred)

  A delicate, consistently surprising riff on the vampire narrative, and a stealthy, subversive story of one young woman's declaration of self

• Stylist

  Witty and thought-provoking

• Times Literary Supplement

  What Stoker did for the vampire at the end of the nineteenth century, Claire Kohda does for it in our own era

• Guardian

  The most unusual, original and strikingly contemporary vampire novel to come along in years

• Observer

  A surefooted, art-filled and wholly 21st-century take on bloodsucking

• Publishers Weekly

  A delicious debut

• Waterstones

  Woman, Eating puts a deliciously fresh spin on a vampire narrative, while mining serious themes of race, misogyny and body image with pitch-perfect subtlety

• Sunday Times

  Meaningful and illuminating.... The vampire novel has been done many ways, but Woman, Eating, Claire Kohda's intelligent and irreverent take, makes for an enjoyable read

• New York Times

  We've seen sexy vampires, scary vampires and psychic vampires, but never one quite like the one in this ambitious debut. Lydia is a twenty-three-year-old, mixed-race artist whose appetite can only be sated with a tall serving of blood. With wit and a poet's eye, Kohda examines cravings, desire and emptiness

• The Times

  A playful debut that pumps fresh blood into the horror genre . . . [It] playfully revitalises a tired tradition, riffing on its clichés while delivering a gripping contemporary fable about embracing difference and satisfying hunger

• Skinny

  Woman, Eating is a long-overdue recalibration of the genre: a brilliant, subversive inquiry into the very politics of desire and denial, and a twisted testament to the depths of female appetite

• New York Times Book Review

  One of the most original vampire novels in ages, Claire Kohda's Woman, Eating follows Lydia, a British, Japanese and Malaysian vampire struggling to survive . . . Kohda has given Lydia a host of great vampire qualities, such as excellent night vision and an ability to experience the entire life of a creature by drinking its blood. But it's Kohda's exploration of Lydia's inner world, the pain and longing she feels as an outsider, that makes Woman, Eating such a delicious novel

• New Yorker

  The chief trait that Lydia, the protagonist of this artful vampire novel, shares with monsters of old is hunger . . . As Lydia encounters new people, including a pleasant artist turned property manager, and a new boss, a man with more influence than decency, she comes to understand what it is to become something 'that is neither demon nor human'

• Booklist

  Kohda has created a provocative, sympathetic and satisfying dive into the mind of an unusual young woman at a crossroads

• Arts Fuse

  In this enjoyable debut novel, Kohda presents Lydia's thirst for blood as a tidy metaphor for more common cravings. The protagonist's discomfort with her condition comes across as quite realistic in what is essentially a coming-of-age novel. The author is particularly deft at illustrating how unacknowledged desire will out, undermining our best intentions

• TIME

  Lydia sees herself not as a coherent being but as a body where human and demon uneasily cohabit. Bloodthirst aside, this is a pretty effective encapsulation of what it means to be a person with free will. Unless we behave so atrociously as to destroy any chance of redemption, each of us is the site of a war between good and evil that will rage on for as long as we live - and that might remain unresolved by any legacy we leave. I mean, how bloody relatable is that?

• Tor.com

  Woman, Eating deals a lot with food, hunger, and Lydia's relationship to her body. But this novel also deals with spiritual nourishment, art, womanhood, shame, and identity . . . Kohda's prose will take you on a deep emotional journey. Trust me, this is not your average vampire story - it is a novel that displays the incredible breadth of what speculative fiction can show us about the human condition

• Evening Standard

  A contemporary spin on traditional vampire tales . . . It's a story of female appetite and social alienation, serving as an allegory for the female experience in the modern world