Skip to product information
1 of 0

The Collected Stories of Shirley Hazzard

  • Author
    • Shirley Hazzard
Format
Regular price £10.99
Regular price Sale price £10.99
Collected Stories includes both volumes of National Book Award-winning author Shirley Hazzard's short story collections - Cliffs of Fall and People in Glass Houses - alongside uncollected works and two previously unpublished stories.

Twenty-eight works of short fiction in all, Shirley Hazzard's Collected Stories is a work of staggering breadth and talent. Taken together, Hazzard's short stories are masterworks in telescoping focus, 'at once surgical and symphonic' (New Yorker), ranging from quotidian struggles between beauty and pragmatism to satirical sendups of international bureaucracy, from the Italian countryside to suburban Connecticut.

In an interview, Hazzard once said, 'The idea that somebody has expressed something, in a supreme way, that it can be expressed; this is, I think, an enormous feature of literature'. Her stories themselves are a supreme evocation of writing at its very best: probing, uncompromising and deeply felt.

Not available for shipping to the following countries:

  • ASM
  • CAN
  • GUM
  • MNP
  • UMI
  • FSM
  • MHL
  • PHL
  • PRI
  • USA
  • VIR
  • Published: Oct 07 2021
  • 198 x 126mm
  • ISBN: 9780349012971
View full details

Press Reviews

  • Sarah Waters

    Shirley Hazzard is an author for whom there just aren't praises high enough. Wise, elegant, generous, moving - to finish reading a book of hers is to feel bereft of something sublime
  • Guardian (Book of the day)
    The Australian-American writer's short fiction is full of precisely observed studies of thwarted connection . . . Often by portraying its absence, these stories assert the importance of true connection, in the elegant, scalpel-sharp prose for which Hazzard has been admired since her earliest work . . . the collection offers a fine introduction to a remarkable writer who deserves to go on finding new readers
  • Dwight Garner

    New York Times
    Hazzard's stories feel timeless because she understands, as she writes in one of them: "We are human beings, not rational ones."
  • Dinah Birch

    Times Literary Supplement
    The distinctive and exacting fiction of Shirley Hazzard (1931-2016) has not lacked advocates. Her output wasn't large - just four novels and two volumes of short stories, together with non-fiction including memoirs, essays and travel writing - but her two finest novels, The Transit of Venus (1980) and The Great Fire (2003), won major prizes and have not been forgotten... This definitive collection of Hazzard's short stories is a welcome reminder of her remarkable talent
  • Lauren Oyler

    Harper's Review
    Shirley Hazzard is a perfectionist's writer.... [her stories are] slender yet solid, consummate, as fascinated and affected by the mysteries of experience as they are self-assured ... Her writing requires the sort of sustained attention she believed art deserved, but her relationship with her reader is always reciprocal: she doesn't create mystery but reveals its vital place in life
  • Stephanie Merritt

    The Observer
    Often by portraying its absence, these stories assert the importance of true connection, in the elegant, scalpel-sharp prose for which Hazzard has been admired since her earliest work... the collection offers a fine introduction to a remarkable writer who deserves to go on finding new readers.
  • Isabel Berwick

    Financial Times
    Now, finally, her clear-headed brilliance seems to be on a steep upward popularity curve ... Reading the stories together is a treat ... Hazzard's is the sparky, considered voice of a world-class observer of humanity
  • Boston Globe
    Hazzard understood the human condition in all its contradiction, all its messiness, like few others. Collected Stories is certainly essential for admirers of the author, but it's also a wonderful read for anyone who loves fiction that delights and enlightens, challenges and rewards
  • LA Times
    And what an exquisitely polished writer [Hazzard] was, at once serious and bitingly funny, a master of both the plush, well-rounded sentence and the oblique takedown. Not for Hazzard the stripped-down prose and catchy conversational style that were already coming into vogue when these stories were written
  • Mia Levitin

    Irish Times
    Cosmopolitan in location, exquisitely executed, and glinting with the sort of keen wit and perception found in the fiction of Margaret Drabble and Elizabeth Bowen, Hazzard's stories are startlingly fresh and revealing in their poise, sting, and compassion