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SHORTLISTED FOR THE LOST MAN BOOKER PRIZE 'Nina Bawden gets inside the skins of all her people and shows them as paradoxical, crotchety, adulterous, ambitious and completely human . . . A beautifully sustained impression of the impossibility of family life' INDEPENDENT 'A story about a middle-class family in crisis, which is so good, and so true' GUARDIAN
The expulsion from school of their eldest son shatters the middle-class security of Maggie, a writer, and Charlie, a journalist. Since childhood, Toby has been diffident and self-absorbed, but the threat of drug-taking and his refusal - or inability - to discuss his evident unhappiness, disturbs them sufficiently to seek professional help. Veering between private agony and public cheerfulness, Maggie and Charlie struggle to support their son and cope with the reactions- and advice- of friends and relatives.
Noted for the acuity with which she reaches into the heart of relationships, Nina Bawden here excels in revealing the painful, intimate truths of a family in crisis. Toby's situation is explored with great tenderness, while Maggie's grief and self-recrimination are rigorously, if compassionately, observed.
Nina Bawden gets inside the skins of all her people and shows them as paradoxical, crotchety, adulterous, ambitious and completely human . . . A beautifully sustained impression of the impossibility of family life
Kirkus Reviews
Miss Bawden, in her wise attribution of guilt and dispersion of sympathy, accommodates here, adjusts there, and makes a tentative coexistence possible, one that permits a little hope. And, as always, she's an accomplished pleasure to read
Guardian
A story about a middle-class family in crisis, which is so good, and so true, it reminds one why the words 'Hampstead novel' used not to be a term of abuse
The INDEPENDENT
Nina Bawden gets inside the skins of all her people and shows them as paradoxical, crotchety, adulterous, ambitious and completely human ... A beautifully sustained impression of the impossibility of family life
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