
Press Reviews
Nicole Flattery, author of Show Them A Good Time
Turns female celebrity inside-out. Insightful and graceful, and one of the most enjoyable books of the year
Allie Rowbottom, author of Aesthetica
An instant classic from the sharpest cultural critic working today. Phillipa Snow is witty, entertaining, and intellectually unmatched, a writer with a singular talent for showing us ourselves in the funhouse mirror of celebrity femininity. It's Terrible the Things I Have to Do to Be Me is a historical corrective, a loving sendup, and a serious exploration of iconic women too often passed off as unserious. I couldn't put it down.
Emmeline Clein, author of Dead Weight
Philippa Snow is an incisive composer of criticism whose prose is always both muscular and musical. It's Terrible the Things I Have To Do To Be Me is at once a symphony and a manifesto, a virtuoso performance of feminist criticism. This rigorous, elegiac examination of women destroyed by stardom, desire, and the violent demands of femininity is not to be missed
Roisin Kiberd, author of The Disconnect
It's Terrible the Things I Have to Do to Be Me lives up to its fabulous, improbable name. It's a long-overdue ode to female creative genius, in all its messy, disturbing, ecstatic and wildly entertaining complexity. This book will make you feel things; it's sparkling and dark and utterly addictive. It needed to exist, and Snow has precisely the right blend of narrative elegance and irreverence, coupled with genius-level pop culture knowledge, to bring these stories to life
Ralf Webb, author of Strange Relations
A book of essays that deconstructs received notions of femininity, and obliterates those defunct categories of high and low culture by treating its celebrity subjects first and foremost as artists. Written in prose that glimmers with energy, wisdom and delectable turns-of-phrase, It's Terrible The Things I Have to Do To Be Me confirms Philippa Snow's place as the country's most exciting, talented and forward-thinking cultural critic: a writer who has turned criticism into her own form of art
Hannah Regel, author of The Last Sane Woman
Philippa Snow's strength lies not only in her ability to diagnose why these women continue to captivate us, but why they move us; it is this ability, not just to examine her subjects but to weave them so deeply into the very fabric of our emotional lives, that makes her our most vital cultural critic
Johanna Hedva, author of How To Tell When We Will Die
This book takes us into new territories of insight about the punishing price of femininity - that no one can resist and very few can afford - with a wisdom that is as shimmering as it is sharp
Elle Nash, author of Deliver Me
Threads together fame's complex relationship with femininity, agency, and beauty. With acoustic brilliance, Snow navigates the often-overlooked spiritual and physical labour the most iconic women of our time have endured, exposing something maniacal about our society's celebrity bloodlust - not just with its demands for perfection, but the gleeful schadenfreude that hits the tabloids when these icons inevitably crack. Like the women in these essays, Snow's work is intoxicating and glossily smooth. Put it up on the biggest billboards immediately
Amy Key, author of Arrangements in Blue
A fascinating, wry and entertaining reclamation of famous women's subjectivity