
Press Reviews
- Guardian
Snaps and prickles and brings a talented, troubled woman to life. [Stripe] gives an important story a real spark: Dunbar's energy and mischief bubble in the bleakness
Jake Arnott, author of The Long Firm
An impressively accomplished and important first novel. In a beautifully rendered double narrative Adelle Stripe gives voice to a lost genius. Heartfelt, passionate and profoundly relevant
- Yorkshire Post
Stitched together from letters and scripts, newspaper cutting and fractured memory, it is an undeniably harsh, yet fair portrait of one of the UK s most original voices
Jenni Fagan, author of The Panopticon
This outstanding debut novel is told so naturally that it feels that we are there alongside her. A great achievement
Alex Preston
Observer (Books of the Year)A beautiful period piece of 1980s Britain, as funny and sad as anything by Dunbar herself
Andy Miller
SpectatorStripe's novel mixes fiction and biography in a manner that brings to mind the work of the late Gordon Burn . . . It fizzes like two Disprin in a pint of cider. The author's voice and Dunbar's mingle to create not just a portrait of an artist - funny, mischievous, reckless and truthful - but also divisions of class, geography and opportunity which continue to shape this country. You can read it in an afternoon and should; there are too few British novels as effervescent or as relevant as this
- Independent
Harsh yet beautifully wrought . . . It is fiction grounded in fact, re-telling Dunbar's short life that had plenty of drama of its own
Michael Arditti
BBC Radio 4 Saturday ReviewExtraordinary
- Yorkshire Post
An outstanding debut novel
Niall Griffiths, author of Sheepshagger
Everything about this novel, the stuff of it, is wondrously, awfully, beautifully alive, as teeming and seething and tragic as Andrea Dunbar's own wild work and life. My book of the year so far
- David Peace
One of the great debut novels of the century, and one of my very favourite books ever.